Los Angeles Nerds! NerdMelt Awesomesauce for the week, 5/16-22
0Wednesday, May 16th at 8:30pm- The Meltdown with Jonah and Kumail
Our weekly popular standup show, hosted by Jonah Ray and Kumail Nanjiani, hosts the best standups in the country as well as the amazing acts you haven’t heard of quite yet but should! Plus there’s original art each week, surprise drop-ins, and sometimes a puppy! This week: Brent Weinbach, Jay Larson, Anthony Jeselnik, and more!
Thursday, May 17th at 8pm- Paul and Storm Talk about Some Stuff for Five to Ten Minutes (On Average)
Join nerd comedy/music duo Paul and Storm as they host a live recording of their long-running and longer-betitled podcast, “Paul and Storm Talk About Some Stuff for Five to Ten Minutes (On Average)”. Will there be music? Yes! Will there be lengthy discussions of minimally-relevant topics and personal grudges? You bet! Will there be SPECIAL GUESTS? Maybe/hopefully/probably!
$8 in advance, $10 at the door
Friday, May 18th at 7:30pm- Sex Nerd Sandra
This month’s topic: Effective Dating Etiquette with Sex Nerd Sandra
Join Sandra & Dave as they grill The Dating Advice Girl, Erin Tillman, on the do’s, don’ts and how’s of dating. Protocols included: Getting a First Date, Romance 101, Follow-up Procedures & Chivalry for Everyone!
$8 in advance, $10 at the door
Friday, May 18th at 9pm- The Indoor Kids LIVE
Join Kumail Nanjiani and Emily Gordon as they host some of their favorite video game fans for another live Indoor Kids podcast! We’ll have fun stories, new game talk, weirdo competitions, old game talk, chances to weigh in on the discussion, and more! If you’ve ever yelled at your computer/IPod while listening to the show, wishing you could contribute, now’s your chance! We’ll discuss our favorite video game themes, dreamcast movie adaptations of video games, and more more more! With special guest Jordan Morris and Jonah Ray!
$8 in advance, $10 at the door
Saturday, May 19th at 8pm- Cosplay Karaoke
What would Harley Quinn sing if she had a chance? What would Peter Parker belt out? You have a chance to find out! Scott Lobdell (DC writer extraordinaire) brings you a night of karaoke like you’ve never seen it: in costume! Come and enjoy the fun in your normal everyday clothes, or come and dress up for your chance to sing like a superhero! Hosted by cosplay queen Nicki Hunter!
FREE
Sunday, May 20th at 5pm- The Nerdist Writers Panel
Spend your Sunday afternoons learning from the best at the Nerdist Writers Panel! Join moderator Ben Blacker as he hosts esteemed panelists discussing topics like different types of writing, how they got started, what inspires them, the business side of writing, and more. This series is a must for any hopeful writer in LA, with a portion of the proceeds going to benefit 826LA.
Scheduled to appear:
Neil Goldman (Community; Scrubs; Family Guy)
Dailyn Rodriguez (90210; In Plain Sight)
Aisha Muharrar (Parks and Recreation)
Sunday, May 20th at 7pm- Matt Mira’s Day Off
Matt Mira of the Nerdist Podcast needs a Day Off, so we decided to give him Sundays at Nerdist Theater. Come watch Mira and Paul Cibis host this comedy free-for-all. You’ll see brand new comics, comics you know and love trying out new material (Chris Hardwick and Kumail Nanjiani are frequent drop ins), and the magic that is live comedy.
FREE
Tuesday, May 22nd at 8pm- This Show is Your Show with Matt Bennett!
This show is more than a show. It’s your show. Join Matt Bennett (“Victorious”, “The Virginity Hit”), Matt Bennett’s friends, and even some special guests, for an hour of music, comedy, interviews, and general Matt Bennett-ness.
$8 in advance, $10 at the door
The Men in Black Suits and BugEyes
0As you may recall from some previous updates on the subject, we here at Nerds in Babeland were following the exploits of the 14-year-old BugEyes, a conspiracy theorist with big dreams, and his website, TheMenInBlackSuitsAreReal.com. He’s been on the trail of a mysterious “Pink Surprise Cake,” on sale en masse with purchase of tattoo at Clive’s Tattoo Parlor, and finally, he seems to have figured out the answer: documents! People were hiding documents in the cake to keep them hidden from the Men in Black Suits, because people ALWAYS go to tattoo parlors to get cake and documents. I KNOW I DO. It’s how I ended up with this weird tattoo of Tony Stark on my bosom. I just went in to sign some papers.
What were the documents? Perhaps only time will tell. Perhaps the documents include Arianna Huffington’s long-form birth certificate (SURE, ARIANNA, I BELIEVE YOU [it is interesting to note that neither James Franco nor Stephanie, co-founder of this blog, have come forward with THEIR birth certificates after MY accusations, but I guess no one takes me seriously]).
Whatever the case, as you can see in the video, BugEyes’ dedication to the cause was rewarded by membership in the elite and mysterious group of Men in Black Suits.
Can we talk about this? For one, I’ve been devoted to this since the ’90s, and the Men in Black Suits have YET TO CALL ME. Or even e-mail me. What a disappointment! What does a girl have to do? I can eat cake. I WILL dive in a dumpster for a full-time job. I’m just that desperate for one.
For another, it seems hideously irresponsible of the Men in Black Suits to enlist a 14-year-old kid. I’m just saying, he can’t even go into R-rated movies by himself! He probably hasn’t even finished taking Algebra II! This is the guy you want to help keep space aliens in line with the rules of Earth? PICK ME INSTEAD. I look great in black, and can type over 135 words per minute!
Well, “Mr. Eyes,” as Arianna Huffington calls you, it was nice chillaxing with you, and I hope you enjoy your time in a wonderful job that I can’t even get two years out of college. ENJOY IT. It is kind of adorable so I can’t be that mad. I’m just saying, I wouldn’t have to sit on a park bench all night and watch the sun set over the New York skyline like SOME PEOPLE. I won’t name names. I’m just saying, I would chill out, max, and relax all cool in that job. No b-ball, though.
Review: Manara Erotica Volume 1 (NSFW)
0Issue: Manara Erotica Volume 1
Release Date: May 2012
Author and Artist: Milo Manara
Translation: Kim Thompson
Letters: Tom Orzechowski and Lois Buhalls
Publisher: Dark Horse
For the first time, Milo Manara’s four-part “Click!” storyline is gathered together in one volume. The story revolves around Claudia, a beautiful woman who doesn’t have a lot of passion in her life until one fateful day when she is kidnapped. Two days she’s missing and when she returns she has gone through brain surgery and had a control implanted in her brain. With a remote, someone can increase her arousal and cause her to go full-on sex fiend whenever and wherever she happens to be.
When I first became aware of this collection, I was intrigued. I had never seen any of Manara’s work before, but I am a fan of erotica and had never seen popular erotic comics before. After this volume, I’m not sure I’ll be picking up any more, though. I’m obviously not the target audience, not being as familiar with the approach of European comics as possibly others. While Volume 1 of the storyline seemed to be solid enough, as the storyline progressed through subsequent volumes it just seemed to deteriorate into seeing how many times Claudia could come on the page and how wild her sexual adventures could get. Incestuous implications, bestiality, whipping, attempted fisting, and object insertion can all be found within the “Click!” storyline.
Additionally, two other stories round out the volume, but I didn’t find their plots to be much improved over the first. For a historical piece, showing how erotic comics have evolved under Manara’s guidance, it’s a stunning volume of work. For enjoyment compared to current works, I’m not sure if it holds up as well. If you’re a fan of Milo Manara’s work and want to own all the volumes of the “Click!” storyline under one cover, then pick this one up. But if you’re wanting to just sneak a peek and see if this might be for you, look at the preview pages before laying down a big chunk of change. It’s certainly not going to be everyone’s kink.
Rating: 2 / 5 Stars
Nerds in Babeland was provided a copy of this comic for review.
Supernatural: Reading is Fundamental
0“What is that?”
“It’s, uh, Kevin Tran. He’s, uh, in Advanced Placement.”
When we last left the Winchester boys they had performed their Ocean’s Eleven con and stolen Dick Roman’s block of mud. The episode, written and directed by Ben Edlund, wastes no time in exposing what was hidden in that mound of dirt – a tablet. But not just any tablet: a tablet so old that the writing is unknown to humans; so old that when striking a hammer against the rock to free the tablet the skies erupt with thunder and lightning.
“That sound like somebody saying ‘no, wait, stop’ to you?”
“Uh yeah. Yeah.”
“Yeah. . . Oh well.”
And with the breaking of the rock two things happen: a resistant prophet is created in the guise of high-school student Kevin Tran and Castiel awakens. Yes, Cas is back. Again. And he’s got some chemistry with Demon-Meg. Cas has evolved though. He’s more zen – he can track the flight of bees through a garden and into the world. He hates conflict. He just wants to see where the universe takes him, preferably with little threat to his well-being. Luckily he can explain to the Winchesters about the tablet.
“If someone was going to free the word from the vault of the earth, it would end up being you two. Oh I love you guys.”
This tablet isn’t just some engraved stone text hidden away in the blowing sands; this tablet is the word of God. Words that Dick Roman wants safe in his hands because they contain a method of stopping the Leviathans. However, angels can’t translate the tablet, only a prophet can — Kevin Tran. As he explains, it’s an “in case of emergency note.”
Yet the true significance of Castiel in this episode is not to help explain the tablet or highlight its history, but for the moments between Castiel and Dean that seem to point to a healing in their fractured relationship. From the outset, Dean is concerned that Castiel will be a mass of brain jelly, unable to vanquish the trauma from both his actions while being God and the splintering of Sam’s mind. In fact, Sam is the one who seems to recognize first that Castiel doesn’t seem to be broken; Dean looks hesitant.
This hesitation is explained when Dean and Castiel have their sit-down in the game room. . .over a game of Sorry! Dean wants the pre-God Castiel back. His desperation bleeds through in an emotional plea for Castiel to button up his coat and help him fight Leviathans. Castiel keeps apologizing, but Dean won’t accept it – he sees Castiel’s current behavior as almost a mocking of their plight. His airy declarations and detached observations leave Dean with more emptiness. Is Castiel really sorry or is he just playing a game? Dean’s pained refusal of Castiel’s apology points to the latter. Yet his interaction with Hester and Anais, angels who have come to take Kevin and the word of god to prophet training, denotes a Castiel who, while seeming rather simple, is actually an angel who is on a different plane of being than everyone and everything around him. This existence makes earthly concerns beyond him.
“You seem troubled. Of course that’s a primary aspect of your personality so I sometimes ignore it.”
Castiel has a conversation with Sam too, who expresses his concern for Castiel’s sanity after he took on Sam’s fragmented mind. Sam acknowledges that if Castiel hadn’t taken on that burden Sam would have been done for – Lucifer had pushed his mind as far as it would go. And Castiel confirms what was long believed, that Lucifer was Sam’s manifestation – an avatar of Sam’s suffering – and that once the echoes of that figment of Sam’s terror had dissipated, Castiel was left with, as he says, everything. Like Sam, Castiel was also at the breaking point, unable to move past all of the blood on his hands, but by taking on Sam’s pain, it actually made him better. It’s a concept that, like Dean, Sam doesn’t understand. Both Winchesters want to “fix” Castiel, but that’s not an option. Castiel is satisfied with his current state – he doesn’t want to go back to the angel he once was, and it doesn’t even seem that it’s truly an option for him regardless. What role he will play in the next few episodes is unclear, but I can see this blissed-out Cas being a part of Bobby’s salvation.
“I’m surrounded by large unhappy dogs.”
Demon Meg is also a new part of the Winchester team. She’s chosen a side and doesn’t feel there is safety in being left alone. It’s not, for now, that bad of a deal. She sees that they are being followed by demons, sets up a secret meeting with them, and kills them. Whether it’s because she’s really on their team or simply has a soft spot for Castiel is unknown, though I do think she’s crushing on Cas. She proved that when she killed the angel Hester before Hester could kill Castiel.
Meg spits out one tasty morsel of information. In a scene where the Winchesters are trying to decide where her loyalties lie, she reveals that she’s on whatever team is most likely to bring down Crowley. Dean responds, “Crowley ain’t the problem this year.” Frustrated, Meg retorts, “When are you gonna get it, Crowley is always the problem. He’s just waiting for the right moment to strike.” Interesting. I’ll admit I haven’t given much thought to Crowley over the past six months, so his entrance back in the game, most likely when the Leviathan threat is at an end, is a tantalizing proposition, and could also make season eight an strong one.
“I don’t know. I think the line might panic when they turn this corner and see the blade assembly up ahead.”
The Leviathans weren’t front and center this episode, with the focus on angels and prophets, but there were a few key moments that demonstrate more of the monsters’ plan and the power. There is a brief hint about the design of the slaughterhouse being built for the processing of human cattle, and it’s very evocative of the Doctor Who episode, “The Age of Steel,” where Cybermen are “upgrading” humans in the Battersea Power Station. Orderly lines of people walking through the factory, eventually turning and entering large silo structures where spinning blades come from the ceiling before “processing” them. It’s not a comforting image.
The other moment, that once again illuminates the threat of the Leviathans, is near the end when Kevin Tran returns home, escorted by two angels who have a mission to protect him before leading him to the desert for prophet instruction. The detective investigating Kevin’s “kidnapping” is, of course, a Leviathan in human form. This is no season five – there’s no angel power that can suddenly end a Leviathan. Leviathan Collins states, as he’s sticking his hand into the angels’ guts and destroying them, that “rock beats scissors, Leviathan beats angel.” There’s nothing the angels can do to defend themselves and Kevin Tran and his mother are left at the mercy of the Leviathan.
What can kill a Leviathan? The bone of a righteous mortal, washed in the three bloods of the fallen. The first must be a fallen angel, and Castiel quickly and easily gives them a vial of his blood, but we still don’t know who the other two fallen are, nor what bone of a righteous man will be used. I tried to read the notebook page that Sam was reading and all I could glean was that it looks like the other two need to be the ruler of fallen humanity and the father of fallen beasts. Exciting!
*********************************
Random Notes:
Neanderthal poetry that’s perfectly aligned with the spheres. . .who knew.
C: “Hey, this is the handwriting of Metatron.”
S: “Metatron?!? You’re saying a Transformer wrote that?”
D: “No, that’s Megatron.”
S: “What?”
D: “The Transformer is Megatron.”
S: “What?”
C: “Me-TA-tron. He’s an angel, he’s the scribe of God.”
Sam’s indignant confusion during this scene is one of the funniest character moments in the series. So very Ben Edlund.
Sherlock 2×1: A Scandal in Belgravia
0
Warning: May contain mild spoilers
More than a year has passed for audiences since the wrenching cliffhanger of “The Great Game,” and it’s fair to say that expectations have been running high.
Picking up where we left off, co-creator/screenwriter Steven Moffat wastes no time in exceeding those expectations. The stand-off is resolved with an audacity that firmly establishes the tone of the episode. There is an irrepressible cheekiness standing shoulder-to-shoulder with the darkness in “A Scandal in Belgravia,” as Moffat gives Moriarty (Andrew Scott) what is easily the creepiest line in the episode, “If you have what you say you have, I will make you rich. If you don’t, I’ll make you into shoes.” Then we get a brief, tantalizing glimpse of “The Woman.” Irene Adler (Lara Pulver,) a royal, blackmail and Sherlock Holmes (Benedict Cumberbatch), these are the basics that any Holmesian/Sherlockian knows. It’s the execution that’s full of surprises. There are enough nods to canon, the show’s fans, and pop culture in the first five minutes to delight any viewer. “The Geek Interpreter” and “Hatman and Robin” are the tip of the iceberg, as Moffat uses time-compression to move things along while cementing Sherlock and John as a professional unit.
It is a summons from an “Illustrious” client that brings about the duo’s meeting with Ms. Adler. From that encounter it’s clear that Irene and Sherlock fascinate each other. Watching this simultaneous duel and dance of intellects provides much of the episode’s zing. Yet is is Adler who sums up their dynamic, as well as the appeal of the show itself, “Brainy’s the new sexy” she declares shortly after leaving Sherlock speechless by greeting him in “Battle dress.”
Brainy is sexy, and this is television at its sexiest. While the plot unfolds, crammed to bursting with snappy dialogue and canon references, the core of the narrative is how Sherlock deals with matters of the heart. This is nothing as simple as a love story between Irene and Sherlock. Despite all denials Sherlock Holmes is an emotional creature. Choosing to subsume those emotions into intellectual pursuits just makes him that much more vulnerable to being blindsided. The primary relationship in Sherlock’s life is with his blogger, and if his fascination with “The Woman” eclipses that for a moment it’s to illuminate that Sherlock’s emotions are far more complex than he’s given credit for. His relationships with his brother, Dr. Molly Hooper (Louise Brealey) and Lestrade (Rupert Graves) are as planets orbiting a star. Yet we also see a deep devotion to Mrs. Hudson (Una Stubbs) and the nascent understanding of his own cruelty during a Christmas gathering at 221B Baker Street. By the end of the episode nearly every character has been stripped raw in one way or another without completely breaking them. Everyone has an Achilles heel, and those are exploited with ruthless efficiency.
The key to the episode, to the show in its entirety, is in the performances. Cumberbatch completely embodies Sherlock as an intellectual force of nature who is nonetheless flummoxed by his own emotions. Martin Freeman’s John Watson is simply the bedrock that Sherlock stands on. Freeman’s performance is quiet ferocity at its finest, yet puckish enough to take the arrogant wind out of Sherlock’s sails. A supporting cast that hits all the right notes makes “A Scandal in Belgravia” sing like traditional portrayals of Irene, and it is Pulver’s Adler who is the catalyst in Belgravia.
By turns brazen and uncompromising, cruel and vulnerable Pulver plays Adler as a mirror image of Sherlock. It is something that we don’t quite expect, to have “The Woman” illustrate precisely how flawed and brilliant Sherlock is by showing us her own brilliance and flaws. “A Scandal in Belgravia” is only marred by a resolution to the episode which muddies the Sherlock/Irene dynamic by being overly subtle. Audiences are used to seeing a clear-cut victory over Holmes, and Moffat’s decision to follow a particularly vicious battle of wits with ambiguity is sure to disappoint some viewers.
Overall, the episode succeeds as adaptation and long-awaited return to the universe Moffat and Gatiss transposed Doyle into. A sharper ending would have been more welcome, but much like Doyle, Moffat has left plenty of room for the audience to solve the puzzles themselves. (Episode 2 “The Hounds of Baskerville” airs Sunday, May 13th at 9pm on PBS.)
The Men in Black Suits and the Huffington Post
0Have you ever gone to the Huffington Post before, read a couple of the articles, and then been solidly convinced that something really bizarre or really sinister is going on?
Well, I know I have. Don’t pretend like you haven’t, either. Recently, Patton Oswalt began a Twitter hashtag, #BandNamesFromHuffPoHeadlines, which wasn’t just because the Huffington Post is internationally renowned for its status as a jumping-off point for indie music. NO. It is because strange things are afoot at the Circle K.
“But why?” you ask yourself. “What is the big picture? What is the point of all this? What am I not getting? Oh god! The horror, the horror!”
Well, our friend BugEyes from TheMeninBlackSuitsAreReal may at last have an answer: Arianna Huffington, extraterrestrial? That’s what BugEyes claims in this editorial that he had the gall to actually write on the Huffington Post. A tip from someone who is admittedly not successful enough to write for the Huffington Post so maybe you shouldn’t take my advice after all (for those interested in immediately hiring me to write for big name blogs, see my resume…it’s a rough economy), but maybe think of it as a tip from someone who can read and has common sense: perhaps it’s not the greatest idea in the world to accuse a globally (and perhaps extra-globally) recognized author, for whose blog you have been asked to contribute, of being an alien. I wonder what Arianna Huffington will have to say about all this.
On a related note, I have reason to believe that one of the founders of this blog is an alien also. I’m not going to name names, because I’m not the Fox Mole, or something, but I’ll give you a hint: her name rhymes with Wephanie Blooten. I also have pretty convincing evidence that James Franco is not of this Earth, BugEyes. So, Earthlings, feel free to drop me a comment and let me know what you think, or go ahead and just tell BugEyes on his Facebook.
ARCHAIA ALERT!! Free Comic Book Day Events
0This weekend, several Archaia writers, artists, and editors will be appearing in celebration of Free Comic Book Day and other events, such as the Toronto Comic Arts Festival and The Super Wildpig Show. In addition, I’m Not a Plastic Bag writer and artist Rachel Hope Allison will be appearing at a High School Fair at Barnes & Noble Park Slope in Brooklyn, NY on Sunday.
Archaia is making history by releasing the very first Free Comic Book Day hardcover book: Mouse Guard, Labyrinth, and Other Stories, an anthology of six, all-ages-friendly, short stories. Creators marked with an asterisk (*) below are contributors to this book.
CALIFORNIA
*Adrianne Ambrose (co-writer, Jim Henson’s Labyrinth)
*Ted Naifeh (co-writer, Jim Henson’s Labyrinth)
11am – 3pm
Isotope Comics
326 Fell St.
San Francisco, CA 94102
(415) 621-6543
Tim Beedle (editor, The Dark Crystal: Creation Myths, Fraggle Rock, Mouse Guard, Labyrinth, and Other Stories; writer, Fraggle Rock)
Mike Kennedy (writer, Bleedout)
Heather Nuhfer (writer, Fraggle Rock)
11am – 2pm
Meltdown Comics
7522 Sunset Blvd.
Los Angeles, CA
(323) 851-7223
Josh Fialkov (writer, Tumor)
*Jim McCann (writer, The Dapper Men)
12 – 3pm
Collector’s Paradise (Valley location)
7131 Winnetka Ave.
Winnetka, CA 91306
(818) 999-9455
Alex Sheikman (writer/artist, Robotika; artist, The Dark Crystal: Creation Myths Vol. 1)
2 – 5pm
Red Sky Comics
617 West Main Street
Merced, CA 95340
(209) 726-0667
Jeff Stokely (artist, Fraggle Rock)
11am – 4pm
The Comic Bug
1807 Manhattan Beach Blvd.
Manhattan Beach, CA 90266
(310) 372-6704
COLORADO
*Nate Cosby (writer, Cow Boy ; writer/editor, Jim Henson’s The Storyteller)
11am – 3pm
Mile High Comics
98 Wadsworth Blvd.
Lakewood, CO 80226
(303) 238-8125
FLORIDA
Jason Becker (writer, Killing Pickman)
11am – 6pm
Universe of Superheroes
2724 Park St.
Jacksonville, FL 32205
(904) 389-3312
ILLINOIS
Andrew Rostan (writer, An Elegy for Amelia Johnson)
11am – 3pm
First Aid Comics
1617 E. 55th St.
Chicago, IL 60615
(773) 752-6642
Brandon Thomas (writer, The Many Adventures of Miranda Mercury)
12 – 2pm
G-Mart Comic Book Store
2641 North Kedzie Ave.
Chicago, IL 60647
(773) 384-0400
IOWA
Phil Hester (writer, Days Missing and Days Missing: Kestus; artist, Immortals: Gods and Heroes)
10am – 2pm
Daydreams Comics
21 South Dubuque Street
Iowa City, IA 52240
(319) 354-6632
MARYLAND
David Rodriguez (writer, Starkweather: Immortal)
10am – 5pm
Third Eye Comics
2027-A West St.
Annapolis, MD 21401
(410) 897-0322
MASSACHUSETTS
*David Petersen (writer/artist, Mouse Guard)
9:30am – 12:30pm
Larry’s Comics
66 Lakeview Ave.
Lowell, MA 01850
(978) 459-5323
MICHIGAN
*Jeremy Bastian (writer/artist, Cursed Pirate Girl)
12 – 3pm
Comic City
42727 Ford Rd.
Canton Corners S/C
Canton, MI 48187
(734) 981-3561
NEW HAMPSHIRE
*David Petersen (writer/artist, Mouse Guard)
2:30 – 4pm
JetPack Comics
37 N. Main Street
Rochester, NH 03867
(603) 330-9636
NEW JERSEY
Chandra Free (writer/artist, The God Machine, Fraggle Rock Vol. 2: Tails and Tales)
Andrew Gaska (writer, Conspiracy of the Planet of the Apes, Critical Millennium: The Dark Frontier)
May 5: 10am – 6pm
May 6: 10am – 5pm
The Super Wildpig Show
Embassy Suites Piscataway-Somerset
121 Centennial Ave.
Piscataway, NJ 08854
NEW YORK
Rachel Hope Allison (writer/artist, I’m Not a Plastic Bag)
May 6: 2pm – ?
Barnes & Noble (Park Slope)
267 7th Ave.
Brooklyn, NY 11215
(718) 832-9066
NORTH CAROLINA
*Janet K. Lee (artist, The Dapper Men)
10am – 4pm
Ultimate Comics
1322 N. Fordham Blvd.
Chapel Hill, NC 27514
(919) 960-8107
OREGON
Jeremy Shepherd (co-writer/colorist, The Engineer: Konstrukt)
11am – 2pm
Cosmic Monkey Comics
5335 NE Sandy Blvd.
Portland, OR 97213
(503) 517-9050
PENNSYLVANIA
Jon Rea (artist, Killing Pickman)
12 – 2:30pm
Wade’s Comic Madness
8750 New Falls Road
Levittown, PA 19054
(215) 946-9381
SOUTH CAROLINA
*Cory Godbey (artist, Jim Henson’s Labyrinth)
12:30 – 2pm
Richard’s Comics and Collectables
1214A Laurens Road
Greenville, SC 29607
(864) 271-1104
*Cory Godbey (artist, Jim Henson’s Labyrinth)
2:30 – 4pm
Borderlands Comics and Games
1434 Laurens Road
Greenville, SC 29607
(864) 235-3488
TENNESSEE
Michael Lapinski (artist, Feeding Ground)
10am – 2pm
Rick’s Comic City
2710 Old Lebanon Road, #3
Nashville, TN 37214
(615) 883-7890
TEXAS
David Marquez (artist, Syndrome, Days Missing: Kestus)
Yehudi Mercado (writer/artist, Pantalones, TX)
12 – 4pm
Austin Books & Comics
5002 North Lamar Blvd.
Austin, TX 78751
(512) 454-4197
TORONTO, ONTARIO, CANADA
Josh Tierney (writer, Spera) – Table 259
Kyla Vanderklugt (artist, Spera) – Table 259
Hwei (artist, Spera) – Table 259
Emily Carroll (artist, Spera) – Table 105
Jordyn Bochon (artist, Spera) – Table 206
Luke Pearson (artist, Spera) – Table 246
Noel Tuazon (artist, Tumor) – Table 152
May 5: 9am – 5pm
May 6: 11am – 5pm
Toronto Comics Arts Festival (TCAF)
789 Yonge Street
Toronto, ON M4W 2G8
WASHINGTON
*Royden Lepp (writer/artist, Rust)
10am – 12pm
Zanadu Comics
1923 Third Avenue
Seattle, WA 98101
(206) 443-1316
*Royden Lepp (writer/artist, Rust)
1pm – ?
The Comic Stop
3333 184th St. SW, Suite G
Lynnwood, WA 98037
(425) 744-2767
Happy Free Comic Book Day!
Supernatural: The Girl with the Dungeons and Dragons Tattoo
0
“The Girl with the Dungeons and Dragons Tattoo” is a great addition to the collection of mythology episodes that Supernatural has developed over time. The episode, written by Robbie Thompson (who penned this season’s “Time after Time” and “Slash Fiction”), fully embraces the Leviathan threat, brings Bobby back into the action, and throws in Felicia Day as a genius hacker who can handle herself with both the Winchester boys and Leviathans.
Guest appearances by “it” actors can sometimes be a crapshoot. Will they be so recognizable as a personality that they can’t blend into the show’s narrative? Can they perform seamlessly with the show’s existing cast? Day fit into the Supernatural team perfectly. In fact, I was rather hoping that she could continue being the resident hacker for the boys as they continue with their quest to bring down the Leviathans. The character of Charlie Bradbury is a natural fit for the Day persona. A gifted computer expert who is drawn towards Hermione and Wonder Woman and has a fake sword at home that she uses for protection, the character is a more secure, less inhibited, version of Cyd from The Guild. Add to that an easy chemistry with Sam and Dean and Charlie could easily become part of Team Winchester.
The episode is also filmed well. Utilizing a variety of split-screen techniques and a non-linear narrative that helps signal the Ocean’s Eleven heist the team is working on, the episode gives us tension and humor at the same time. For all the threat that Dick Roman brings – and it’s a terrifying one – we also get Sam coaching Charlie into entering the building by inspiring her with Harry Potter plotlines. (Which then leads Dean to call Sam “Dumbledork,” but wouldn’t the knowledge of Dumbledore then make Dean just as dorky?) There’s also the magical moment of Dean teaching Charlie how to flirt with the guard blocking access to Roman’s office. (“This never happened.”)
Beyond adding Day’s awesome presence to the episode, the main point of “Tattoo” is to finally clarify the Leviathan’s main plan – they want to become the dominant species on the planet with humans as the main food group. It’s not a great surprise, as this was hinted at early on, but the development of the plan has advanced quite quickly. There is also a hint to some kind of artifact – Dick’s Indiana Jones style archaeology digs have resulted in the discovery of a block of mud. Okay, it’s obviously more than that, but for now, all we can see is a block of mud – is it a weapon? A tablet? A talisman? That’s sure to come out in the following episodes, but, for now, Roman wanted it and the boys have stolen it.
I’m still trying to assess the Leviathan threat. There’s a clever analogy underlying everything, where we can easily make the argument that the Leviathan menace already exists on this planet, just without the supernatural motif. Bobby calls the Leviathans the 1%, living off the cattle of humanity – a human species turned into livestock with fast food, processed food, laziness, and complacency. Couldn’t we already make that case for America? Aren’t we made complacent by being spoon-fed propaganda narratives where we never question the veracity of the reporter, the writer, the politician? Don’t we hear daily about the plague of apathy induced by the amount of sugar and toxic substances ingested through our food sources? Aren’t the Leviathans simply a supernatural manifestation of the dangers explored in documentaries like Food, Inc.?
It’s a good, solid threat. We’ve seen the Leviathans take everything from Sam and Dean (gods damn I want that Impala back), and now it’s been clearly delineated how they will gain access to the bodies of almost all Americans. I think what I want is more about the Leviathans. I want some of that mythology – give me something to chew on and dissect. I want to know their history in more detail. What back-story have the writers constructed in their writers’ room? I want to know what the Leviathans fear (though I’m sure that’s to come) and what they lust after (beyond humans as food). Do Leviathans dream? The writing crew skillfully conjured up a big bad in Lucifer that went beyond what we, as the audience, brought to the “text” with our existing intimacy with the devil. They gave him a voice – evocatively portrayed by both Mark Pellegrino and then Jared Padalecki – that wooed us, made us believe in his pain, his frustration, his desire for change. That’s what I want to see in a Leviathan story. I thought “Tattoo” was a brilliant episode, but it made me realize how much I wish this plotline had extended throughout the season, serving as a more fluid underbelly to the standalone episodes.
One final narrative note: We got to see the beginnings of vengeful spirit Bobby. While that emotion is understandable, as explained by Dean, it is also the start of a path towards disaster for Bobby’s future, as articulated by a very worried Sam. I really do believe that Bobby’s journey should serve as an underpinning for season eight, which was just officially announced. Eliminating the Leviathan threat can soothe the vengeful spirit, and then the Winchesters can turn their focus to helping him find peace.
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Random Notes:
“She’s kinda like the little sister I never wanted.”
Dean’s Veronica Mars reference reminded me of how much I miss Veronica Mars.
Did anyone catch the Better Off Ted reference? When we got the fake commercial for SucraCorp, all I could think of was Veridian Dynamics. Apparently, that’s what the writers were thinking about too. When Charlie opens up Frank’s file on Dick Roman and all the images are flashing on the screen, there’s one shot with Dick, in a picture on the right of the monitor, smiling (notable only because it’s so creepy), and a shot on the far left of Jay Harrington – or should I say, it’s a picture of Ted Crisp (played by Jay Harrington) standing in front of a podium at Veridian Dynamics. This is a great comparison – an evil corporation that tends to do terrible things to human beings all in the name of progress, using advertisements to lull you into thinking that the company is only concerned with your well being and the future of your friends and family. Veridian Dynamics is the precursor to SucraCorp and maybe Dick Roman has taken over the body of Ted Crisp. So it’s a parody of a satire. . .how postmodern.
Summer Movie Review: The Avengers (AKA: An ode to Joss Whedon) *spoiler-free*
2**This is a spoiler-free review since I wouldn’t want to spoil one moment of enjoyment of this utterly unique cinematic experience.**
I’ll admit it, I was a bit wary coming into The Avengers screening last night. I have been following this one-of-a-kind cinematic collaboration by Marvel since Iron Man and have been breathlessly waiting to see if they managed to pull it off. The previews looked good, but there were a few shots that left me with some doubt that it would be an okay movie, rather than a cinematic marvel (pun intended). I am so pleased to announce that it is the latter. All of my doubts vanished as the movie quickly unfolded. I really shouldn’t have ever doubted Director (and creative genius) Joss Whedon. He has never disappointed me and he rose above even his own exquisite previous work. Have written the screenplay himself, Joss has created both a singularly unique vision, but also managed to deftly integrate four franchises and set up each hero’s individual journey into their future sequels.
I have to give kudos to not only Joss and his team, but to the creative minds at Marvel that hired him, despite his lack of commercial success. While the geek community may have cheered when he was hired, it wasn’t necessarily the obvious or safe choice, so bravo Marvel for taking that chance. I have no doubts that this will be Joss’ most financially successful film and I sincerely hope that it brings him the far-reaching respect and success outside of the geek community that he so richly deserves. I also have to give a hand to each of the creators of the individual franchises who had to integrate the larger Avengers plot lines into their own films while maintaining their own creative freedom and integrity.
So, is The Avengers the best superhero film ever? While some may argue YES, I think this movie goes beyond that. Never before has such a large-scale integration of films and characters been attempted and I think it would be unfair to compare The Avengers to a movie centered around a single hero. The end result of years of planning, integrating the plots of five films, the bringing together of such talented actors and spinning off of as many as five future franchises deserves a round of applause. The fact that it got made is impressive enough, but the end result is more than I could have dreamed of. But seriously now, I will stop gushing. Can you tell I’m excited?
I kept having flashes during The Avengers about how the same movie, helmed by a different Director, would have looked. There were moments that came so close to veering into cheese territory, but Whedon’s ever-earnest style of filmmaking never allowed it to go there. There was maybe one frame of the whole movie where I rolled my eyes ever so slightly, and it was something really minor. In true Whedon style, there are moments of both extreme darkness and of side-splitting hilarity. This is the largest action-movie that he has directed and I was a little nervous about his handling of huge action set-pieces, but they did not disappoint. I found myself gripping the arm-rests several times and the audience burst into applause multiple times during the film. There is a real intelligence behind the film (another Whedon trademark) and I will admit, I didn’t entirely understand every little thing that was happening. I can’t wait to watch the film again this weekend for an even deeper appreciation of the script. There were no cheesy recruitment montages, no overly complicated explanations for things that weren’t really needed and plenty of surprises.
You may have heard that Bruce Banner/The Hulk steals the show and you’ve heard right. Not in a bad way though. His character is much more fleshed out and confident than what you saw in both The Hulk and The Incredible Hulk, and the addition of Mark Ruffalo turns out to be a stroke of genius. I will be very surprised if Hulk doesn’t get his own franchise after this film. Each of The Avengers gets their own moments of focus and your enjoyment of the film will be further deepened if you’re caught up on each of their individual films. That having been said, I brought a friend who hadn’t seen anything but the Iron Man films and she loved it too. Scarlet Johannson’s Black Widow also surprised me and I found myself enjoying her far more than I thought I would. There wasn’t a ton of character development for each hero, but that’s not what this film was about and it made me long to see them each in their own films in the future. By not dwelling too much on any one person, the star of this film was truly the ensemble cast as a whole. There are no weak links here in my opinion.
I hope you all enjoy The Avengers as much as I did and I can’t wait for the movie to be released this weekend so that I can start discussing details with all of you. Until then, Avengers Assemble!
*Just two quick notes here: 1) As for which format to see it in, I saw it in IMAX 3D and while the 3D was well done and resulted in no headaches, it was really subtle and didn’t add to my enjoyment at all, so I say skip the upgrade charge and see it in 2D. 2) Apparently there are two tags over the credits (I missed the latter!), so make sure you stay until the bitter end!




















