Issue: No More Heroes #1
Release Date: March 2012
Writer: Gordon Mclean
Artist: Caio Oliveira
Colorist: Goran Kostadinoski
Letterer: Kel Nuttal

When I was approached to review this comic, the premise instantly appealed to me. I’m a big fan of superheroes, even moreso when they’re flawed in some capacity. In No More Heroes there’s a lot of flawed characters. First you’ve got Dark Justice, whose death kicks off the whole thing. A random nobody, Sid, gets a text message asking whether the mysterious person on the other end should commit suicide. Thinking it’s a joke, and egged on by his buddies, he says yes. Turns out, the superhero Dark Justice was on the other end of the phone. Thus begins the heavy weight that Sid has to carry. Did he really convince a superhero to die? The truth isn’t so straightforward. He gets tangled up with Dark Justice’s unnamed sidekick, who has gone off the rails after his boss’ death, and Jack Slaughter, a lowlife who is actually at fault for the death of the hero. The storyline is just beginning and we will have to wait and see how deep Sid gets pulled into it.

 

For a beginning comic, this was actually done quite well. I wasn’t a fan of the few times the panels were colored, which is surprising to me since I tend to prefer color comics over the stark nature of black and white. However, the simplicity of the color absence helps to heighten the storyline for me. And it is a simple storyline, though not simplistic. For almost the entire first half the plot is carried mostly by action rather than dialogue. That’s a sign of good visual storytelling and one that will serve the creators as they embark on a future in the industry. There were some rough spots, such as the diner scene. Focusing on the mouth seemed to be wasted space to me. The panels are better expressed when layering is present. And the dialogue, in certain scenes, was not as smooth as it could have been. That doesn’t endear it to a more mainstream audience, but since it’s targeted toward the independent comic industry the standards are a bit more lax. Despite these rough-around-the-edges bits, the overall comic has potential and I’m interested to see where the storyline goes.

 

Check out more on this four-issue arc at the official website and keep tabs on these creators. I think they have a positive future in the comic industry.