Writing by: Curtis J. Wiebe

Art by: Riley Rossmo

Issue #3 opens with a touching scene of Maya being schooled by her late mentor, Calista, in the delicate and patient art of becoming a ‘Protector’ for the last human outpost, Maiden. It’s not only apparent that Calista hoped to teach calm and thoughtful defensive techniques, but also that Maya was stubborn and fearless even as a child. The characters of Debris are quite likable and really help to draw you into the story; you really want to see them survive and succeed.

The art of Riley Rossmo is really at it’s best during Maya’s battle scenes with the giant trash bots that attack her in every issue. She’s nimble and smart and Rossmo does a great job at portraying the acrobatic movements of her fighting style. I’m very much a fan of his creative use of color as well, using it to create the right mood for each scene and allow the right things to pop in each panel to draw you in to the story.

Maya’s travel companion, Kessel, is wise and weathered; he tries to keep her optimistic but he’s obviously weighed down by his own personal doubts and demons. As the two search for a paradise neither knows actually exists, they grow closer through making new discoveries and sharing old wounds. The real story behind Kessel’s banishment from Maiden is sad and shines light on who he really is. Maya’s childlike curiosity for the sights, smells and tastes of the new lands they journey through expose cracks in her hard, warrior exterior.

Debris is a unique post apocalyptic story of human survival that grows ever more thick with emotion and profound character development. The writing is solid and engaging, the artwork bright and scenic. Debris #3 does a great job of building on the personalities of our protagonists and carries the story along at just the right pace. I definitely recommend this series to readers who enjoy a good adventure ripe with relate-able characters and the perfect dose of action.