Saga_11_Full

Writing: Brian K. Vaughan

Art: Fiona Staples

Review by Melissa Megan

Boy does Brian K. Vaughan know how to open an issue and get your attention. In another of Hazel’s flashbacks to her parents’ beginnings, we get to be a fly on the wall to what I assume is her moment of being conceived. Every naughty detail revealed and oh boy, is Alana naughty! Of course it’s also a difficult realization of the kind of situation Hazel was brought in to: her parents fugitives, each of their respect homelands hunting them down. Alana and Marko aren’t even sure they can breed, being of two different species from different planets, but the method of baby making seems to work just fine.

Another great skill of Brian K. Vaughan is transitioning from one place in a story to another, seamlessly, without depleting the jarring effect of that jump. The ship containing Alana, Marko, Hazel, Marko’s parents and Hazel’s ghostly babysitter is spiraling towards a freshly born fetus planet that appears hungry. In another ship which has already been damaged and exposed to open space, The Will tries to save Lying Cat while Gwendolyn holds tight to the slave child they rescued from Sextillion. If you aren’t reading Saga already, you should be appropriately confused by now.

Every single issue of Saga contains so much. So very much that I often find myself re-reading an issue to make sure I didn’t miss something really important. Issue #11 is powerful and emotional. I’m not going to spoil this for anyone, but I will say that by the end of this issue you’ll feel some feelings that might not be happy. This issue also has many opportunities for Fiona Staples to show off her art skills with sweeping space landscapes and beautiful scenes of magic making. The creators of Saga are the power couple of 2013 and Saga is their glowing love child.

Read Saga and don’t stop. Well, if you read one issue you won’t want to stop.