Saga #12 review
Writing: Brian K. Vaughan
Art: Fiona Staples
Review by Melissa Megan
Oh, Saga, how you play with my emotions. The games this series plays are heartbreaking, thrilling, disturbing. The opening scene of issue #12 is a prime example. Prince Robot IV has been wounded in war and calls upon the aid of the medic, a mouse-like creature with healing skills. As the medic administers medicine, he explains that he’s not a native to the planet but is supporting Prince Robot’s forces in hopes of earning his degree and as thanks for their help on his home planet. It’s almost warm and fuzzy until a poisonous gas is released upon the unit and the medic reveals that he wasn’t given a mask to protect himself. It gets messy from there.
In the present day, Prince Robot is on a mission to track down Alana and Marko, like so many others. His government has their own reasons for wanting to dispose of the forbidden family. He’s landed on a solitary , foggy planet where he believes a reclusive author can lead him to the fugitives. Mister Heist wrote a romance novel that Alana and Marko are fans of; the book is believed to be a revolutionary text in disguise and Prince Robot thinks the novel was the inspiration behind the couple’s idea to run from their homes and duties.
The majority of issue #12 is focused on Prince Robot’s verbal chess game with the intelligent author, trying to surmise if he has knowledge of the whereabouts of Alana, Marko and Hazel. It’s not quite as much fun as the usual plethora of alien creatures and formidable planets, but it’s engaging and imperative to the story line. And as usual, the issue sets up an exciting and tense possibility for the next one to come. Holy shit, does this book perfect story telling. Magnificent artwork accompanying genius writing makes Saga an absolute masterpiece of a comic book. I’m not sure how many ways I can say that I love this series, but I’ll keep trying.