Bedlam #7 Review
Writing: Nick Spencer
Art: Ryan Browne
Cover: Frazer Irving
Review by Melissa Megan
Oh, Bedlam chaos and insanity, how I missed you. In issue #7 Madder Red is back to his old tricks, which in this case is playing puppet master with the heads of two recently murdered religious leaders for an audience of locals gathered to prove they are not afraid of Madder Red. Ok, so it’s only another flashback of one of his many bloody killings, but oh boy does it make his madness crystal clear. This opening scene is the kind of material that drew me to this series and I, for one, am glad to see the pace picking back up.
In present day, Fillmore is still working with Detective Acevedo, helping the police solve murder cases. He makes it look easy and she still doesn’t seem to understand how or why he has such an intimate understanding of all the madmen he paints in such great detail for her. Although Fillmore is maintaining some level of normalcy to Acevedo, he is losing his grip, having hallucinations and flashbacks of his alter ego, Madder Red.
This issue is the first one with a new artist. It was announced a couple months back that Riley Rossmo would be stepping down from Bedlam, due to “creative differences” with the writer. Artist Ryan Browne (Hack/Slash, Hoax Hunters) does an admiral job with the visuals of this world, obviously making a respectful attempt to maintain the appearance of the characters that we have grown comfortable with. His overall style is similar to Rossmo’s in it’s lines and wobbly sketchiness, but doesn’t quite have the same depth. The changes didn’t ruin Bedlam for me, but it does feel different. I suspect as long as the writing holds up, the new art work will melt in just fine, without causing much disruption in the atmosphere.
You should be buying and reading Bedlam. I admit, it has had some ups and downs, but in general is one of the best horror comics being written right now. It’s quite unique and terrifying.