Posts tagged blood
Writing: Nick Spencer
Art: Ryan Browne
Cover: Frazer Irving
Review by Melissa Megan
Oh, Bedlam chaos and insanity, how I missed you. In issue #7 Madder Red is back to his old tricks, which in this case is playing puppet master with the heads of two recently murdered religious leaders for an audience of locals gathered to prove they are not afraid of Madder Red. Ok, so it’s only another flashback of one of his many bloody killings, but oh boy does it make his madness crystal clear. This opening scene is the kind of material that drew me to this series and I, for one, am glad to see the pace picking back up.
In present day, Fillmore is still working with Detective Acevedo, helping the police solve murder cases. He makes it look easy and she still doesn’t seem to understand how or why he has such an intimate understanding of all the madmen he paints in such great detail for her. Although Fillmore is maintaining some level of normalcy to Acevedo, he is losing his grip, having hallucinations and flashbacks of his alter ego, Madder Red.
This issue is the first one with a new artist. It was announced a couple months back that Riley Rossmo would be stepping down from Bedlam, due to “creative differences” with the writer. Artist Ryan Browne (Hack/Slash, Hoax Hunters) does an admiral job with the visuals of this world, obviously making a respectful attempt to maintain the appearance of the characters that we have grown comfortable with. His overall style is similar to Rossmo’s in it’s lines and wobbly sketchiness, but doesn’t quite have the same depth. The changes didn’t ruin Bedlam for me, but it does feel different. I suspect as long as the writing holds up, the new art work will melt in just fine, without causing much disruption in the atmosphere.
You should be buying and reading Bedlam. I admit, it has had some ups and downs, but in general is one of the best horror comics being written right now. It’s quite unique and terrifying.
Writing: Nick Spencer
Art: Riley Rossmo
Review by Melissa Megan
Crazy, winged holy man is massacring everyone that moves over at the hospital. The pet superhero of Bedlam PD, The First, is taking a major ass-whooping while he attempts to stop the killing. Fillmore Press has landed himself an exclusive sit down with convicted child molester Father Warton. Warton suspects immediately that Fillmore is no detective and that his interest lies deeper than just putting a stop to the murders that he directs from inside the prison.
Fillmore gets right to the core of what Warton wants and needs, possibly his real drive behind ordering his ‘archangel’ Eric to kill. Warton wants to know the sins of the children of god. Fillmore has plenty to confess. And there is the key Fillmore needs to solve the case.
The highlight of this issue is definitely in the ‘psycho to psycho’ chat between Warton and Fillmore, which not only gives a deeper look at the illness driving the priest but also reveals just how in touch Fillmore still is with his alter ego, Madder Red. And really, that’s what we’ve all been wondering, isn’t it? If Madder Red is truly buried beneath the new psyche of Fillmore Press, or simply lurking just under the surface, waiting for the right moment to make his glorious comeback?
Besides the revealing interview, there’s not a whole lot of edge to be had here. I appreciate the attempt to maintain a solid story line, but it’s tough to offer the chaos and brutality that Bedlam has produced in previous issues, then follow it up with slow burn story progression heavily reliant on dialogue, without it feeling like it’s slowing down. I don’t want this story to slow down, I like that it slaps me in the face with every issue. Maybe I’m expecting too much. It’s not over yet, but I really hope for a return to the intensity that I’ve come to identify with Bedlam. Regardless, I still say everyone should be reading this series.
Writing: Nick Spencer
Art: Riley Rossmo
Review by Melissa Megan
After a few issues of watching Fillmore, formerly serial killer Madder Red, passionately assist the police department in working out the identity of a murderer with a thing for religious reference, issue #5 gives a little more of what Bedlam is really about: psychological fun time.
This issue opens with another flashback to the ‘healing’ of Madder Red, specifically a powerful scene in which he gains the hospital staff’s trust and proves himself ready to re-enter the world a new, less dangerous man. These peeks in to the treatment of Madder Red are what I feel really give Bedlam it’s gritty meat. I find myself increasingly invested in this character although I still can’t decide if I want to see him truly succeed and be a ‘productive, law-abiding citizen’ or if it would be more fun to watch him completely demolish those expectations in a blood bath of celebration for the return of Madder Red.
One thing is certain, this issue makes it clear that Fillmore is quite aware that he’s gaining the trust of Detective Acevedo and has secured himself the opportunity for a chat with an incarcerated priest suspected of being connected to, perhaps behind, the unsolved case. Fillmore has an agenda but if it’s purely to help bring the murderer to justice or something more sinister is yet unclear. What is crystal is that Bedlam is not slowing down but quietly gaining momentum and I suspect the next issue will reveal something juicy.
If you’re reading my reviews on Bedlam, you must be interested; if you aren’t already buying these books, what the hell are you waiting for? Bedlam is top notch material in the horror/suspense genre and the art work of Riley Rossmo is always a delight.
Writing by: Steve Niles
Art by: Christopher Mitten
Eben’s vampire army is growing by the hundreds every day. He’s driven to get revenge for the brutal death of his love, Stella. he is also attempting to forge some kind of alliance or at least a truce with the deceitful European vampires. At the same time, FBI agents are crossing lines to find an advantage in their fight against the blood thirsty creatures. They’re bringing big guns and no fear, throwing rules and protocol to the wind.
Scary tale spinner extraordinaire Steve Niles continues the trek of Eben and his immortal tribe of vampires in 30 Days of Night #10. This series has been going for a long time now, and it’s featured a few artists along the way, but the work of Christopher MItten feels really harmonious here. Issue #10 doesn’t bring much action, really, but instead takes a slow burn to build up the tension for upcoming confrontations and likely messy battles.
30 Days of Night is one the best horror series on the shelves today, so if you aren’t already reading it, start now. There’s plenty of material out there already.
Since Halloween is steadily approaching, I figured I would suggest a few films that are definitely not made for children but have taken both the horror and sci-fi genres to a different level within the last few years.
I had the absolute pleasure of going to see Attack the Block earlier this month in Plainville, CT. I follow Edgar Wright on twitter and when he announced that the release was widening into my area, I had to go. Shaun of the Dead, Hot Fuzz, and Scott Pilgrim vs. the World instilled a little faith in Mr. Wright.
Each movie was a genre movie. It wasn’t a comedy trying to itch that genre niche. They are genre movies that have incredibly funny moments in them. They show a great nod to comedy, but display an intense love for the genre in the storyline.
I’m sure some people are saying “he only produced Attack the Block”. You’re correct. I still have faith in something that Edgar Wright would put his name on.
Faith bolstered, Mr. Wright.
Attack the Block is a science fiction thriller written and directed by Joe Cornish. It is the tale of a teenage gang that takes it upon themselves to defend their council housing in Lambeth from alien invaders.
The first few minutes of the movie established how unsavory the youth had become when we witness them mugging a nurse as she is walking home. The mugging is interrupted by something crashing from the sky into a parked car. The gang leader Moses goes to check it out and is attacked by a creature that he kills with the help of his friends.
What proceeds is absolute chaos. Throughout the area, the sky is lit up with fireworks, masking the illuminated single creature transporters crashing against the Earth and everything built on it.
Joe Cornish’s directorial debut is not something to be missed. His vision is well executed with phenomenal performances by John Boyega (Moses), Jodie Whittaker (Sam), and Luke Treadaway (Brewis, who I had taken to calling “British Butters”). The cinematographer, Thomas Townend, kept the pace with dynamic shots and exceptional angles.
I am beyond pleased with this movie. The aliens were actually alien and something that I had never seen before. Initially, when I saw the second alien in the movie I threw my hands up in the air because I thought it was so cheesy. Then it opened its mouth and I screamed “AWESOME!” in the theater.
(Make note: I am a horrible person to go to a movie with.)
All of the special effects were marvelous as well. Some scenes were perfect homage to scenes from the past. There are moments where you know what’s happening to these characters off the screen is more terrifying than the blood spatter you see. My favorite weapon was only used briefly as a defensive maneuver (motorbike).
The ending was exactly what needed to happen and I was not disappointed at all. I absolutely loved Sam and how she spoke with the boys in the gang. Brewis was the character where you could see someone following him just to play a sad trombone “wah wah” whenever he opened his mouth. Nick Frost was hysterical as the skeezy drug dealer for the block. There is a moment between him and Brewis where the entire theater laughed.
I loathe spoiling any of the story for you, so I suggest you get your hands on it. Attack the Block is now available on DVD and Blu-Ray.
Attack the Block will kick you in your face with awesome.
Wrong. That is the concept for “Being Human”, a new series that started on Syfy. Are you angry that you missed the first episode? Well, unlike the first episode of S3 Merlin that seems to have fallen off of the face of the earth (grumble grumble), SyFy is airing the first episode right before the second one airs.
The main characters are Aidan, a vampire, and Josh, a werewolf.
Aidan (Sam Witwer – Crank, Gamer) is struggling with his attempts to cut fresh human out of his diet and remove himself from the clutches of his sire, Bishop. He ironically enough works as a nurse in a hospital and spends a lot of time in the trama unit exposed to the scent of blood. He does nick some of the bags to feed himself, but he has grown to appreciate human life and his desire to maintain the masquerade of being a part of the status quo.
Josh (Sam Huntington – Not Another Teen Movie, Detroit Rock City) is a werewolf who gives you the impression of having been bitten (though it’s not confirmed in the first episode) and every month he is subjected to an unwanted transformation. He is having a hard time dealing with it and distanced himself from his family and friends.
Somehow Josh and Aidan became friends working the nursing shifts in the hospital. It is mentioned by another character that their friendship is something of an anomale, but Aidan keeps trying to get Josh to “be normal”. They decide to get an apartment together so that even though they have to really try to be normal, they have a moment away from society to be themselves and not be judged.
They find an apartment that needs some work and move in. Awhile later they meet Sally (Meaghan Rath – Lost and Delirious), one of the previous owners of the apartment. She had died and had spent months trying to get people to know that she was there, but humans weren’t able to see her.
Josh tries to get her to leave the apartment so that he can have some time to himself and considers her a bit of a nuisance. Aidan seems to be very accepting with having the ghost in the house.
Aidan is trying to reacclamate himself to a normal life when his sire, Bishop (Mark Pellegrino – Capote, Dexter), tries to pull him back into the fold.
Josh is reconnected with a family member and is put in the terrifying position of revealing what it is he has become.
I really enjoyed the first episode of Being Human on SyFy. I thought it was a unique take on the supernatural and was ready to give full props to SyFy for it until I was told that it was a rehash of a UK show. It makes me feel bad for all of the screenwriters in L.A. slinging coffee with brilliant ideas and no one to listen to them.
That being said, I’m going to keep watching it and have added the original version to my Queue so that I can watch and compare.