Posts tagged Brian Wood
“The Massive gives us a different, and essentially unique, take on the story of the end of the world. It doesn’t revel in destruction; when scenes describing the planetary crisis show up, they make clear that this was a true disaster, not a disaster movie. Millions have died, in dirty, tragic, and decidedly noncinematic ways. Instead, The Massive is a story of the necessity of resilience. While it leads us through the catastrophic aftermath of the Crash, we soon see that survival here is not the purpose in and of itself—it’s survival with the hope of making things better, even while recognizing that the old world’s legacies (in materials and ideolo-gies) yet remain.”
This introduction to Volume 1 of “The Massive,” mirrors the thoughts I shared in my review of Issue #1 back in June (although decidedly with a gift for language I can only hope to one day touch). The only thing I added was how fantastic the artwork was. The superb attention to detail in both art and story continue with the rest of this first collection.
One thing I loved about the first issue of “The Massive” was how the action starts immediately and the reader is thrown into a world where it doesn’t know the rules, but quickly learns. Never confusing, always intriguing, “The Massive” does a fantastic job of taking the reader on a journey through a post-apocalyptic world where two sister ships must find their way back together while also discovering the cause of the event known to us as “The Crash”. The story gets richer with each page, making the reader dive into a world that’s falling apart, bit by bit. As we learn about this world and the destruction it has already seen, we also slowly get to know the cast of characters and how they ended up in the situations we see them face from the beginning of our story. The transition back and forth from past to present keeps the story moving in ways much more interesting than if the author had simply said “this is what has happened, now to continue…” It not only helps with the steady flow of the story, it also engages the reader better than a straight timeline would.
“The Massive: Vol 1” is a brilliant collection of stories that introduces you to a world of chaos and disorder. It gives you plenty to drag you into this world, while still leaving you wanting more. Just a little more…
The Massive: Volume 1 is available now, so go ask about it at your local comic shop. Volume 2 will be available Dec 2013, and Volume 3 June 2014. Keep with it, because from what I’ve seen so far it promises to be a continuously good read.
Back in 1997, an art school student named Brian Wood (Generation X, DMZ, Demo) published a 5 issue series called Channel Zero, intended to be part of his final project for graduation. He was angry about New York City Mayor Rudy Giuliani enforcing his freedom restrictive ‘Clean Act’. As Brian Wood will tell you himself in one of many footnotes included ” I feel a strong sense of pride that Channel Zero still exists in print today. I’ll never be able to recapture that same creative moment I had working on this book.” He admits it’s a relic of the times, but not completely irrelevant in today’s atmosphere of conservative backlash against media, art, film and video games.
In addition to getting a gem of a look at the roots of Brian Wood’s future comic success, Channel Zero The Complete Collection also includes a prequel story illustrated by Becky Cloonan (Demo, East Coast Rising, Wolves) and represents the pair’s first time working together. The artwork all throughout this collection is raw and sharp. It’s minimalist, no fancy scrollwork or elaborate shading, no colors. What it lacks in fancy it makes up for in texture and heavy mood. The setting of Channel Zero relies on the reader feeling restricted, contained, a little on edge watching all the freedoms of America being washed away under power hungry political sewage.
Channel Zero is about the loss of rights in a future America drowning in mindless consumerism. It’s also the story of Jennie 2.5, an art student who embarks on a commitment to fight the repression through hacking, cutting-edge media manipulation, and eventually befriending international rebels and supporters. This series presents a super unique view of the comic genre through heavy graphic arts techniques and touches on real world fears of politics, police aggression and commercial absorption of self expression.
The Channel Zero Complete Collection includes the original series, the prequel graphic novel Jennie One, the best of Public Domain design books, years worth of extras, rarities, short stories and unused art. Throw in a great introduction by Warren Ellis and you’ve got a must-own collection.
“For all its black and white somber mien, Channel Zero is, to me, one of the most uplifting comics of the nineties. Channel Zero is about winning. It’s about learning how to give a shit again, about finding ways to make things better. It’s about anger as a positive force of creation. It’s about your right to not have to live in the world they’ve built for you.” -Warren Ellis
If you’ve enjoyed Channel Zero in the past, this collection is a fantastic way to display it and share it with someone who hasn’t been there yet. If you’re new to Channel Zero , take my word for it and pick this collection up, as it’s best enjoyed in it’s entirety. And collected editions are pretty on the bookshelf.
Available now from Dark Horse Comics.