Posts tagged comic review
This is it, folks. The thrilling conclusion of 24 Underground is finally upon us. There’s a lot of action in this one including a big showdown in the end between the Russians, Jack Bauer, and the CIA. Will Jack escape both groups that are after him? Considering how Live Another Day starts, you can kinda take a guess, but it’s still some edge-of-your-seat excitement right up until the last page. My only complaint was that the ending wasn’t totally satisfying for me but that’s probably just me not wanting to let go. This miniseries did a great job of filling in the gap between seasons of the show, and was a lot of fun to both read and write about. I’m going to miss having Jack Bauer in my life, but I know it’s time to move on to other obsessions (like the new season of Doctor Who that is starting. Are you with me?) I hope you’ve enjoyed this series as much as I have. Let us know your thoughts in the comments below!
Comic Review: The Star Wars by Rinzler, Mayhew, et. al
Review by Prof. Jenn
So this is a comic trade that is based off of George Lucas’ original-original rough draft of the screenplay for The Star Wars. That is, Star Wars before it got edited for quality and way before it got re-purposed for less quality and more busy unnecessary additions.
I have my opinions, more as a literature expert than an old-school Star Wars nerd, though I must confess I am equally both. It’s important that Han shot first, but I can actually explain to you literarily why. The scene at the Millennium Falcon added in w/Jabba? Completely unnecessary. But I’ve got the literary chops to explain why, beyond my nerd rage.
Now, it seems that several geek-culture favorites these days tend to fall into the trap of the fan-service. The fan-service is the thing that happens in the story of a new episode of a thing that does nothing for the actual plot except show a thing that will make fans squee. See: the entire movie Phantom Menace. See also: the ending of Doctor Who episode “Deep Breath.” (We can talk about this later if you like.)
This comic story is based on Star Wars before it was Star Wars: we’ve got snippets of images of all three of the older movies (Tatooine, betrayed youg’uns, snippets of Yavin and the Wookiees very similar to the Ewok uprising in RotJ, a Leia and, well, Annikin romance but he’s really the Luke character in this story), some themes and dreary plot points from the newer movies (politics, trade embargoes, wily and lying politicians, overly ornate headgear for the Princess/Queen), and all the art smacks of the concept art all us Star Wars nerds know and love from the pen of Ralph McQuarrie. The oddly androgynous C-3PO, the Luke Starkiller with the buzzcut mullet, the green-skinned amphibious Han Solo, and the oddly bug-eyed Chewbacca all come from McQuarrie’s illustrations we all know and love.
Thing is, when you read this, you can really appreciate the changes made to Episodes 4-6. You really can. You can appreciate the available charm of its characters, its streamlined Hero’s Journey of an action-based plot, and its iconic tropes buffered to a new sheen. The story of this comic is tired, too complex, too wordy in ways no one speaks (okay well all the movies are like this too) and, well, basically, nothing really…happens.
What this is is fan service: for those of us who were obsessed with this epic series and who wanted more from the prequels, those of us who appreciated the streamlined storytelling before Lucas got the tech and was allowed to add in extraneous whatever-he-wanted, this is a window into the writing process and indeed the creative process itself.
It’s not a great comic.
Bottom line: I don’t recommend this to anyone but the most completionist collector or the most die-hard Star Wars fan. It’s a dreary, plodding, clunkily-drawn peek into an early draft of a movie series we’re glad got edited from it. It’s fun to see McQuarrie’s creations in a sort of action, though.
I gotta say, I was a little thrown off at first by the style of this book. Having not read the previous issue of this series, I didn’t know what to expect. Once I got past that though, the story itself sucked me in pretty quickly. I also immediately recognized the fact that while I might not love the photojournalistic style of this book, other people would probably love it since it does make you feel like you’re watching an episode of TOS appear on the pages.
You can even hear the voices of the characters come to life in your head with each bit of dialogue. It also helps that the story is pretty solid and enjoyable to read. Overall I was pleasantly surprised with how this one played out, and would recommend it to the real Trekkies out there who would like a fresh taste of the old series.
Dark Engine by Ryan Burton and John Bivens is a new comic that plenty of my friends have been waiting on, and after reading it, I’m reasonably certain that no one has been or will be disappointed. First of all, the cover art is really nifty, portraying the focus of the comic, a girl who looks fierce and incredibly intimidating with a giant sword. I’m certainly not an artist, but I really like the style of art being shown in this comic. It’s very otherworldly, and definitely helps to transport you into the chaos within the story.
From the beginning, this comic throws you into a world that is unlike anything that we are used to. There are a surplus of creatures that somehow fall between prehistoric and alien in appearance. We meet the girl from the cover rather quickly. As expected, she quickly starts slaughtering things, presumably because she’s a total badass. Directly following this, we start to see some other new characters talking about the girl, who we now learn is called: Sym. There is talk of the magic and sacrifice used to create her, and we are informed that she has been made to kill some enemy.
It’s divulged that she was fitted with some sort of engine (I’m assuming a Dark Engine, but that could just be me being presumptuous) by one of the characters. This character seems haunted by this engine, which we find out is being used to send Sym back in time in order for her to kill this enemy before they could ruin the world in the way that they did (which is only being expressed through the art at the moment). We learn that the engine is sending Sym into various periods of time until it can somehow right itself, and we’re given a glimpse into the possibility that the engine might actually think for itself.
The comic ends with plenty of mystery after a character nonchalantly states that Sym will likely kill anything she comes in contact with across these time periods (and we actually see her brutally slaying something). Already, I want to know more about how Sym and how she was created. I’m definitely interested in learning about the inner workings of this engine, and what it is capable of. I also want to know exactly who this enemy is and what he used to destroy the world. Really, I just want to know more about everything, and I’m really hoping that the next one comes with a little insight into this interesting world.
So, uh, read this. It’s a good one.
Comic Review: Steed and Mrs. Peel: We Are Needed #1 by Edginton, Cosentino, et al Review by Prof. Jenn
Imagine my delight when I saw this title pop up on BOOM!’s forthcoming comics list! I didn’t know they were making comic versions of this old favorite of mine! Now these, kids, are the real Avengers, as far as I’m concerned, and I had high standards going into this first issue. The TV show was a delicate combination of weirdly out-there almost sci-fi and taut spy thriller/detective procedural, which is a difficult balance to get right (*cough* the 1998 movie *cough*). This writer/artist combo has nailed it.
We begin issue #1 by seeing a murder, not knowing who is involved or why, only that there are dollhouses about. Then we are introduced to our two heroes the way every Steed/Peel episode did on TV: the phrase “Mrs. Peel, we are needed” revealed in a cute and clever way. The story in this first issue unfolds and by the time we get to the end of the issue we definitely are clamoring to see what will happen next. Which is the way the TV show was, too.
The art is colorful and rather “mod” in style, which is perfect for the setting and characters. As you’ve heard me say many times before when reviewing Doctor Who and Firefly comics, it’s a special trick to comic-book-ize a live TV show, as you don’t want to do just an actor portrait, but you don’t want to draw the characters so unlike their actors that they are unrecognizable, either. This issue nails it, again.
Bottom Line: I highly recommend Steed and Mrs. Peel: We Are Needed (why aren’t they calling it The Avengers? Copyright w/Marvel?) and can’t wait for the next issue.
Flash over to Drs. Bashir (Deep Space 9), Crusher (U.S.S. Enterprise), and Pulaski (U.S.S. Repulse) approaching Diamandis Station a bit behind schedule only to find it has been infected by a contagion of unknown origin. Everyone on board has been infected, so they are warning ships not to approach. It seems the only one who has not been incapacitated is “The Doctor”, the hologram that once was the medical officer on the U.S.S. Voyager and now is chief medical officer of Copernicus Station. The Doctor, along with Bashir, Crusher, and Pulaski, have to put their combined medical knowledge together to solve this problem. Things get even more interesting, however, when they find a connection to the original Constitution-Class Enterprise. As you probably remember, Dr McCoy was the medical officer on that ship. Coincidentally he is, at the time of this adventure, an admiral who is retired and living on a nearby planet. He tells the visiting Drs. a story of when he first encountered this illness, and how he worked with Dr Phlox to find a cure.
What I loved most about this story was how it was able to incorporate every doctor we’ve become familiar with throughout Star Trek history, seemingly without even trying. It was an especially nice surprise to see the doctor from the series Enterprise working with McCoy. The best part about this one-shot is you don’t have to be a super fan to enjoy it. Sure, the bigger fans will enjoy seeing history interconnect with itself, but a passing fan will get enjoyment from the story itself. I highly recommend picking this one up at your local comic shop today.
When last we left our hero, he was trying to rescue his girlfriend from the Russians. Little did he know that she had already escaped. Jack also doesn’t realize the Russians aren’t the only problem he has to worry about. The CIA is on his tail and getting warmer…
We start this issue of 24 where we previously left things. Sofiya may have escaped, but she’s not out of the woods yet. The Russians are tracking her down, but of course haven’t told Bauer she went missing. The CIA are tracking her as well, so that they can use her to find Bauer. Who will get to her first? Will Jack be able to outsmart the Russians during their meet? in true 24 fashion some of the answers will be revealed now, some will have to wait until the next issue.
I have to say that I have really been enjoying this story so far. Not only does it work well on its own, but it also was great information to have in the back of my head while watching Live Another Day. (Side note: not going to spoil anything but OMG DID YOU SEE THAT FINALE?! Only 24 brings you that kind of energy). I definitely recommend reading the back issues if you’re just starting out. Whenever Jack referenced his family on the show, I pictured the events happening in the comic and wonder if this is the family he was referring to. I assume that will be made clear when this story reaches its thrilling conclusion.
Comic Review: Serenity, Leaves on the Wind #6 by Whedon, Jeanty, et. al
Review by Prof. Jenn
The Leaves on the Wind series concludes with this tying up of loose ends and opening up of new ones for, we can assume, the next phase of the story. The conclusions of Zoe’s rescue and that of the Alliance-stolen-girls-a-la-River is actually pretty brief, truth be told. We had such build up of preparation in the previous issues that the culmination is just a little…well just a little disappointing, that’s all. Though there is a new potential (major!) problem introduced at the end…
The story, beyond being a bit brief as I have mentioned, boasts the same familiar character quality I have admired about the previous issues, and the art has the same weakness of character portrayal I have mentioned in earlier reviews. This issue is no different, though it is nice to have a little more about our new fighter character and be introduced to yet another character who looks as though she’ll be recurring at least, if not a major player in the battles to come.
Bottom Line: This issue is recommended, with the same caveats I detailed in the reviews of previous issues.
Comics Review: Batman Classics–the Silver Age Newspaper Comics vol.1 by Ellsworth, Moldoff, Infantino, et. al
Review by Prof. Jenn
What a fun collection of vintage comics featuring everyone’s favorite dynamic duo! It’s a trip into the cheesy one-liner past of Batman’s late 1960s appearance in newspapers. This collection begins with a wonderfully detailed rundown of the history by Joe Desris, and is enlightening to read just before plunging into the series of snippet-length strips.
These are not old comic books, they are comic strips from newspapers 1966-67, so they are all brief, cheesy, sketchy, mid-low quality art, with a little joke or a PSA at the beginning of each (“Never fight with a smiling fortune-teller.” “Unless you want to strike a happy medium!”). We meet several of our favorite villains, with some I’ve not heard of before. And yes, there is some material here not appropriate for a modern audience, in the realm of sexism, and racism especially. Any of you Batman nerds remember The Laughing Girl? Ugh…
For all its vintage kitsch, this volume is a pleasure to read, and certainly anyone who collects Batman should have this in their library, even if they prefer the dark Nolan variety of the Caped Crusader. It’s a funny, refreshing collection that is a nice reminder of where Batman was before his gritty reboot.
Bottom Line: This collection is highly recommended, old chum.
Limited run comic Thomas Alsop has a reluctant hero, a dose of supernatural mystery, and an integration of the profound into our world. With an intriguing premise, I look forward to seeing where they carry this plot, though I’m hoping for some of the rough edges of the storytelling to be ironed out in subsequent issues.
Set mainly in 2011, New York City, we’re introduced to Supernatural Detective, The Hand of the Island, Thomas Alsop. He’s been given the title and the role through a family curse, passed down from generation to generation ever since ancestor Richard Alsop got cursed by the Mespeatches Indians back in 1699. Manhattan, the island itself, speaks to Thomas and gives him psychic nudges of when there are disturbances about. However, it remains unclear as to how much the “regular world” knows of the role or the existence of the supernatural in our world.
Thomas came to notoriety back in 2009, when his friend Marcus Robert tagged along on one of his missions and recorded it for posting on YouTube. As a result, the video got millions of views, Marcus became his producer, and Thomas got instant fame. He lives up to the rock star kind of life, with drunken binges, naked proclamations in his apartment, and frequent appearances on late night talk shows. Did the world know about the supernatural aspects before the video? It’s never explicitly stated, though Marcus seemed to be in the know. And no one’s claiming Thomas is off his head when he talks about his missions, so perhaps it’s a given? It would have been nice to have that clarification, though.
It would also have been nice to cut back on the dreams and flashbacks and switched points of view. When Thomas goes to sleep watching his television appearance, he dreams of his ancestor. That’s understandable, but then we completely change POVs and suddenly it’s Richard’s story for multiple pages. We even get a flashback inside the flashback, which is just sloppy writing. While I understand that we, the readers, needed to know about the 1702 incident and the ship, since it’s been recovered again in 2011, the integration of this could have been better.
Despite the problematic writing in spots, I don’t think this deters anyone from the series. I certainly want to know more about reluctant hero Thomas Alsop and what his family destiny really means. Here’s hoping the ride will be worth it.
Rating: 3/5 Stars