Posts tagged feminist
I used to go to WonderCon every year when I was younger. Anyone who goes to Cons regularly, knows you have your “Con Posse” (not to be confused with “clown posse” like Harley Quinn will now have with her new ICP-esqu costume… but I digress). When I was younger I was the one girl in a group of many dudes. After I had my son I stopped going, in the past year I have been back to attending. And have added more cons to my list of must see. In the time that I was away a major change happened. The con posse I’ve joined is 99% GIRLS! This is pretty phenomenal for a gal who has grown up getting the stink eye from the dudes (and gals) behind the counters at comic shops.
It’s not too surprising that we now have our own convention. GeekGirlCon –located at the Seattle Center and EMP– was a slightly bittersweet event for me. I was on the staff, one of the original members, first person to buy a pass, etc. I was the Vice President and Operations Director, filed the incorporation paperwork opened the bank account, yada yada. No one ever really cares about “Operations,” it’s the department that does all the behind the scenes work that allows the more creative types to do the shiny stuff. I had to leave the organization because of the huge amount of time it required. Since the staff is 100% unpaid volunteers I was essentially working a second full time job for no pay; and I have a husband and child. So it finally got to the point of having to choose, GGC or child. Obviously my child had to win. So the sweet part was how AWESOME of a time I had, and how amazing it was to see that both days sold out. The bitter part was that I was seeing it from the outside.
I do have to say it was a bit nice to not have to be working this weekend and was able to just enjoy the convention as a panelist/attendee. I got to romp around with a posse of amazingly talented and fun folks. I stayed out too late, drank too much (though oddly didn’t once get drunk) and was introduced to the most amazing alcohol I have ever tasted by the lovely Stephanie Thorpe.
I drove up Friday night with my “fake niece”, who is the 16 year old anime obsessed, blue haired daughter of a friend. Stopped by the airport to pick up a few friends then checked into our AH-MAY-ZING hotel the Marqueen, on Queen Ann St in Seattle. After that I met up with friends for drinks, a walk up a monstrosity of a hill and dinner with more friends.
Saturday morning I got up, had breakfast at Mecca Café, if you go to Seattle you MUST try this place. They have awesome bacon, great waffles; you get a mini pitcher when you order iced tea and the receipt showed that our server’s name was “BAT GIRL”. I attended the very fun “token dudes” panel. That night I attended the unofficial CheeseCon at The Melting Pot – go to twitter, look up the hashtag #CheeseCon to see the hilarity—which was one of the most fun dinners I have ever been to.
Every panel I attended had one common theme; Women need to support one another and act as the “elders of the internet” to support the younger generation. The vendor room, while small was diversely filled thanks to the hard work of Dixie Cochran. I only peeked my head into the gaming room but everyone seemed to be enjoying themselves.
It was nice to see so many little girls dressed in cosplay. There was one family who had I think 3 daughters, all dressed up as different versions of Princess Leia. Most people I saw were smiling and having a good time. Sunday I was the assistant for Miss Bonnie Burton’s craft panel. The creativity of the attendees was awesome. We had Yoda, Tardis, Doctor Who and even… GASP… Star Trek puppets made.
Really the only negative thing I can think of was the fact that it was spread out between the Northwest rooms and the EMP. This would have been fine if panelists weren’t scheduled for back-to-back panels on opposite sides of each other. It is about a 10 minute walk between The NW Rooms and the EMP so if your panel ends at 4 and the next one starts at 4 there is no way to make it on time. But being a first year con I am sure they will keep that in mind for next year. There are some doubts as to whether the NW rooms will be available for 2012 but I am sure they will announce the location when it is secured.
All in all I am happy with the changes to convention culture that have occurred since I first started attending them. Girls are having more and more panels aimed at them, and hopefully, sometime soon, we won’t NEED to have a GeekGirlCon because all cons will be equally targeted for all audiences. And I look forward to seeing my Con Posse as soon as I possibly can. They are a group of individuals who inspire me to push myself and go for my dreams and I love them all in special and different ways.
Guest post written by T. Johnson. T. Johnson is a blogger, au pair, and part-time tutor who has been obsessed with science fiction and comics since roughly first grade. One of her life`s big revelations was discovering Wonder Woman comics-another milestone was starting to read the works of Heinlein and Aldous Huxley. She has always been convinced that girls can be as truly nerdy as any fanboy.
Recent re-screenings of several Disney films has got me thinkng about the “Disney princess” phenomenon. As animation fanatics and a majority of parents know, Disney Studios made a bunch of movies with female heroines over a fifty-odd year time span. Most of them were based on fairy or folk tales, so the heroine was usually a “princess,” even if she started out disguised as something else. The “princess” movies remain hugely popular with audiences. They were re-mastered in handsome DVD and Blu-ray box sets, inspired hundreds of Halloween costumes and were responsible for the “princess party,” that staple of little girl birthday celebrations.
The films have their detractors, however. Most of the critical vollies aimed at them have come from feminist thought. Critics complain that Disney has placed images of women in a time capsule, portraying them as passive victims waiting to be rescued, as debutantes dreaming only of their prince. They cite the 1950 film Cinderella as a prime offender: sweet-natured girl is pushed around by her stepsisters, remains sweet despite doing all the housework, then is rewarded for being a doormat by a fairy godmother who enables her to attend a ball and meet a prince.
Admittedly, Cinderella is not big on my list either. I don`t really agree, though, that all of these films present terrible images of women. I think there are some redeeming qualities in the princess film canon. I`ll discuss just a few of the movies in this post, specifically those which present heroines who are fully fleshed out as people. Quick note: I`d love to include the warrior-princess film Mulan here, but I don`t feel justified in talking about it since it`s one of the few Disney animation flicks I have not seen.
Consider Snow White of Snow White and the Seven Dwarfs (1937). As she scrubs the palace steps in a tattered dress and wooden shoes, SW sings a song about wishing and hoping for the one she loves. But there`s a lot more to her than waiting around. When her wicked stepmother/queen decides to have her killed, she must fend for herself in a dark forest. She`s obviously scared, but doesn`t give up, pressing onward despite mysterious sounds and logs that resemble alligators. Snow White shows similiar courage when she meets the dwarves. This is a girl who`s never been away from home before, but she readily adapts to a group whose culture she`s totally unfamiliar with.
Instead of judging or mocking the dwarves, she befriends them. And yes, she does the housework. But one should keep in mind that the original Snow White story was told in the 1400s, a time when housework involved a lot of manual labor and the skills needed for tasks like spinning and washing clothing by hand. The dwarf fraternity respects her for pitching in, and she respects and likes them (I remember thinking as a child that they were way more interesting as people than the Prince)! Snow White displays a lot of sense and independent thinking, not to mention a genuine kindness for both animals and people.
Looking at later Disney movies makes one wonder what became of heroines like Snow White. Maybe, like characters played by Bette Davis and Katherine Hepburn in the 30s and early 40s, she was shelved due to cultural reasons. After World War 2, real-life women often had to quit the jobs they obtained while men were away, leading to a quasi-Victorian idealization of the home and traditional femininity. Hollywood seemed to reinforce this by producing few films with strong female leads, and during the fifties, Disney followed suit. After the likable but maudlin Cinderella, we got characters like Wendy of Peter Pan (1953-sweet and bright, but hung up on Peter) and Briar Rose of 1959`s Sleeping Beauty (sweet and hard-working, has to be awakened by a prince). This is not to say that fifties Disney cartoons were total fiascos- they were well animated and ahead of their time- but strong heroines were not a huge priority here.
Gradually, times changed and so did the Disney empire. After several financial upheavals in the 70s, animated films began to emerge from the studio again in the mid-80s. “Princess” characters were beginning to be written in a different way, a prime example being Belle of Beauty and the Beast (1991). Belle, the daughter of a small-town inventor, is sweet-natured and hard-working like many a Disney girl. Unlike them, she seeks knowledge through reading and dreams of leaving her home and having adventures. And she`s not afraid of the ferocious-seeming Beast: when he orders her to come to dinner, she refuses until he issues a civil invitation. They gradually come to know each other as equals. The troubling issue here is the whole conceit of the Beast keeping her captive in his castle. This is how the original story went, but I can also see why some commentators read Belle warming to him as a form of Stockholm syndrome.
On the other hand, she does try to escape at one point in order to check on her father, and this makes Beast realize that he can`t merely keep her as a pet. Belle is a fully realized character who is intriguing as well as pretty. She does change clothes more than other Disney princesses, but hey, she is living in a palace with well-equipped closets-why not? And she has the courage to try and rescue her father from the creepy village folk by herself, not waiting for Beast or any of his servants to accompany her.
The Princess and the Frog (2009) has a female lead who is more than able to carry the film. This princess is merely dressed as one for Mardi Gras-she`s actually an industrious waitress named Tiana, a fine cook who is saving money for her own restaurant. She becomes involved with the lazy and conceited Prince Naveen only because he`s been turned into a frog and requests her help. Kissing him turns her into a frog as well, so the pair must hit a Louisiana swamp in search of a voodoo priestess who can transform them back. Tiana is totally uninterested in Naveen at first, considering him hopelessly hedonistic. But the two bond as they journey through the swamp, and the prince is evantually ready to embrace work and give up his player-like ways for Tiana.
Throughout the film, Tiana`s ditzy friend Lottie epitomizes the stereotypical “princess” viewpoint, in contrast to the former`s practical ways. When read the old Frog Prince story as children, Lottie sighs in contentment, while Tiana exclaims, “No way am I kissin` no frog, no matter what!” You`ve got to love a girl who`s that feisty from childhood up. She also has a strong sense of morality. The evil Dr. Facilier offers to make her human again if she surrenders a charm- trouble is, he`ll use the charm to facilitate his takeover of New Orleans. Tiana refuses, vowing to “stay in the swamp forever”, rather than aid the voodoo dark side. All ends well, but with a twist: though Tiana and Naveen become restored to humanity, they achieve her dream of opening a restaurant, instead of looking for a kingdom to luxuriate in. Good film, great heroine-finally, an action princess! Yes, there`s still a prince, but the relationship dynamic is totally different. We see the pair get to know each other as people, not just become infatuated.
Disney cartoon features have become more progressive in terms of female heroes. It`s certainly true that they lagged behind the women and girls of anime for a few decades- compare any pre-eighties Disney heroine to Millenium Actress or Princess Mononoke- but they`re genuinely losing the passive princess mindset. Now that the studio is supposedly still going to do some hand-drawn animation as well as CGI, why not research some girl power-friendly storylines? How about a remake of The Black Cauldron with more emphasis on feisty heroine Eilonwy? Or a retelling of the Artemis or Amazons myths? Future generations of girls are waiting to see their own adventures in animation- they want to protect the castle, not just clean its courtyard.
I would like to take this time to introduce you lovely ladies to my newest British obsession, Dr Mark Kermode.
Mark Kermode, also known as The Good Doctor and Number 75, is an English film critic who has a segment every Friday on Simon Mayo’s BBC Radio Five Live show. For those of us not in the UK, the radio broadcast is also released as a podcast that is roughly 80 minutes long and shorter clips of individual reviews are put up on youtube. Kermode also has a video blog called Kermode Uncut.
One of the most enjoyable aspects about the podcast is how very intelligent the reviews are. Kermode has a PhD in English from Manchester and wrote his thesis on modern horror fiction. While he can occasionally come off a bit pompous, it is his educated and well spoken manner that makes Kermode’s rants so utterly delightful. Even when I disagree with him, Kermode’s rants are still a thing of beauty. The podcast would not be nearly as enjoyable without them.
It is also very refreshing to see such a vocal feminist in the media, especially a male one. Mark Kermode is a genuine feminist and it shows in almost every review. He is very quick to point out misogyny or homophobia in films and always takes filmmakers to task for it.
The icing on the Kermode shaped cake is that he also plays the base in the skiffle quartet The Dodge Brothers. Recently they have been touring and playing a live accompaniment to silent films, including one gig where the silent film was projected by an eight bicycle powered projector.
Additionally the man knows how to rock a Quiff like no other.